LA MANCHA NEGRA (Original Motion Picture Soundtrack)

LA MANCHA NEGRA (Original Motion Picture Soundtrack)

Director Enrique Garcia

Music composed by Jesús Calderón

Performed by the “Banda Sinfónica de Jaén” orchestra, conducted by Pedro López Álvarez and Jesús Calderón in Jaén (Spain)

Label Plaza Mayor Company Ltd

After the death of the elderly Matilde Cisneros, her three daughters set the wake before a neighbor that turns its back on them, a priest in war with the family, and the unexpected arrival of his eldest son.

COMPOSER NOTES

From the beginning, I conceived the soundtrack of “La Mancha Negra” as rough and wild music, a reflection of the feelings of the characters, who are tormented in a very visceral and primitive way. The mother of the family, for example, with her brief but crucial role, continues thanks to the music to constantly float over the whole story like a ghost that haunts and envelops everyone with her sickly and greedy personality until the end. “La Mancha Negra” is made of rough percussions, repetitive motifs, dissonances … but there is also a place for hope, nostalgia, memory and regret; that materializes through the music for Mercedes, which transforms from atonality to become a melodic poem that reunites her siblings again. I have to thank the effort and passion of the musicians of the “Banda Sinfónica de Jaén” orchestra, who put all their effort and enthusiasm in interpreting my twisted music, and Pedro López for his mastery and professionalism. Thanks also to Enrique García, director of the film, for his eternal confidence and infectious enthusiasm. This soundtrack would not have been the same without his wise advice and his knowledge of the power of film music.

(Jesús Calderón, composer of “La Mancha Negra” soundtrack)

DIRECTOR NOTES

The trip to the devised town of Aljarria in “La Mancha Negra” is a journey to the roots of pain of a family broken by the past, in a harsh environment, where hopelessness reigns and where, after the death of Doña Matilde Cisneros, resentment and greed emerges. Photographically portraying “La Mancha Negra” was a difficult but very plastic task: The days with yellow sand floors, white houses, blue skies, women in black mourning and heat, a lot of heat. The nights give way to the blue of the moon, the gold of the lamps and the black night, as if they were paintings by Caravaggio. The music could not be under that black cloak. Thanks to the interpretation of the “Banda Sinfónica de Jaén” and the masterful score by Jesús Calderón, I have been able to hear the broken soul of the Cisneros family based on double basses, the awakening of greed with insinuating flutes, percussions, pizzicatos and brass for the nightmares that become real. And the love that existed and died like a dry olive tree in the “Nana de la Negra Noche” song, composed by Calderón for the broken and at the same time authentic voice of Zenobia Fernández. Thank you, Maestro Jesús Calderón for giving eternal life to the soul of “La Mancha Negra”.

(Enrique Garcia, director and screenwriter of “La Mancha Negra”)

Orquestaciones: Pablo Olivas Marco

Ingeniero de sonido: Rafa Martos

Banda sonora mezclada y editada por Jesús Calderón

Canción “Nana de la Negra Noche”

Escrita y producida por Jesús Calderón

Interpretada por Zenobia Fernández

Fotos de la grabación: Gabriela Cerdán Cerdá

Fotografía de estudio: Fidel Meneses

Diseño de portada: Pedro Cabañas

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